Enough rubbish to choke a pack mule.

Briefly explained, my current silkscreen work is a blend of drawing, color separation and hand printed screening, which has an oddly embraced inconsistency from print to print. The registration, multiple color layers, and ink coverage all have a place in every color of every print made.
The subject matter is mostly character driven, drawing inspiration from the simplicity and complexity, the sheer mass and volume, and an ever changing pace that is the outside world. 
Be it imagined or observed, or perhaps a bleeding of the borders between a simple cartoon and a reason to think. Whether offering views of monotonic bliss, a desperately uncertain future, laughter and a sliver of hope, or a lightning crack of violence, they all aim towards an appreciation of the greatness and power that every day can offer.